热门搜索：欧洲的某个地方完整版免费观看、欧洲的某个地方高清在线观看、欧洲的某个地方免费在线观看
壮志豪情敢死队2（原声版）异变狼人铁布衫魔鬼的细节发财秘笈功夫粤语荣誉团队 Honor Society黐线枕边人向前看青涩之恋我的父亲母亲我的老婆是明星恋战冲绳（原声版）纽约的秋天教派蜘蛛头快乐星球之三十六号最后幸存者过去未来养鬼吃人8：地狱世界2005普罗旺斯惊魂记掩盖的秘密鬼哭神嚎1996布特警察山花烂漫时2016迈向荣耀之路无脚鸟长风踏歌2绝代天骄濠河边上的女人
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
花瓣影院(www.bb-asc.com.cn)为您提供的《欧洲的某个地方》 HD、BD、720p，1080p,1280p免费高清在线观看地址，以及相关的剧情简介、演员、导演、幕后花絮、剧照、海报等信息均由互联网上面收集整理而来，以及《欧洲的某个地方》的观后评论等内容。更多相关信息可移步至豆瓣电影、电视猫或剧情网等平台了解
秋霞电影网网友：欧洲的某个地方讲述了Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.。
神马电影网网友：最近《欧洲的某个地方》上映了，没想到制作方非常地慷慨，一来就放全集，观众们可以一口气从第一集看到大结局。这部剧中演员们的高颜值是一大亮点之外，它里面的台词也非常的搞笑啊！台词沙雕中带着可爱。
青苹果影院网友：截止到2024-06-24 17:51:57，《欧洲的某个地方》已经更新到HD中字。
艾玛影院网友：除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、花瓣影院首页-2025最新全集电视剧电影动漫综艺高清免费在线观看-花瓣影院、百度视频等平台去看正版视频。
6、在《欧洲的某个地方》这部剧中，你觉得Art的演技怎么样?
影视大全网友：最近有Artúr,Soml等演员主演的其它剧情片——欧洲的某个地方一经播出就受到了很多观众的欢迎和认可，这部剧情片里面，演员的演技都是非常值得肯定的，我觉得Art 在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品
人人影视网友：有以下演员主演：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki。
秋秋影视网友：您可以用手机打开百度APP在搜索框里输入：欧洲的某个地方手机在线观看免费，就可以找到免费正版播放资源了。手机免费看欧洲的某个地方网址:www.bb-asc.com.cn/cq/99589.html，这个网站免费无广告。
小草影视网友：很多地方都可以看呀，我是在花瓣影院首页-2025最新全集电视剧电影动漫综艺高清免费在线观看-花瓣影院APP上看的，打开APP后直接搜索“欧洲的某个地方”就能看了。
豆瓣电影影评：我其实是想给欧洲的某个地方4颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对其它剧情片非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，其它剧情片只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些其它剧情片可能通通都只能有三四颗星以下。
丢豆网影评：剧情很流畅，人物也很丰满，节奏把握的很好，很有年代感。没有过多煽情，每个人物都发挥了作用，细节也很到位。整个影片三观也很正，主演员们感情真挚，总体来说，可以和朋友一起看，推荐！！！
mtime时光网影评：第一次这么喜欢一部剧的女主角这个角色 聪明 独立 淡然 很有自己的主见 特别是略微带有的那一点狡黠 真是可爱极了！
烂番茄影评：男女主角真是清新可爱，看了之后，让我蠢蠢欲动，非常想早恋，可惜已过了早恋的年龄，o(╯□╰)o
花瓣影院为您提供《欧洲的某个地方》免费在线观看地址，影片主演列表、影片相关资讯、海报图片、上映更新时间、主演其他影片、 以及《欧洲的某个地方》剧情等内容。影片播放地址：如果喜欢这部影片《欧洲的某个地方》，分享链接http://www.bb-asc.com.cn/cq/99589.html。
推荐观看：
2018-09-14 11:56:41
2019-01-08 19:55:51
2019-05-08 23:56:37
2020-02-07 10:16:01
花瓣影院为您提供《欧洲的某个地方》的演员、导演、剧情简介、影片详情、常见问题、在线播放、下载地址等相关信息,为您观看欧洲的某个地方提供最有价值的影音参考!
本文链接：如果喜欢这部影片《欧洲的某个地方》 在线观看,转载:http://www.bb-asc.com.cn/cq/99589.html请保留本文链接。
来自【蜜瓜电影网】的网友评论
2018-03-05 18:56:31